Tuesday, 10 November 2015

Module 1: Task 2a & 2c/ Reader 2 / Reflective Practice Overview

Module 1: Task 2c / Reader 2 / Reflective Practice Overview

Of course new experiences increase our knowledge, however we do have to roughly be aware of the initial idea/concept. This gives us a foundation to work and build upon. The concept of learning a new idea is not as easy as you think. Instead of learning a new idea we are learning a new term, phrase, word, meaning or method. Tackling what you do not understand or know is the foundation of learning. For instance, if you ask 'what is a raconteur?', you may get an incorrect answer: 'A raconteur is a personal driver'. However, you may gradually work out that you have been given false information and come to the realisation that you still do not know the answer! You have identified that information is still missing, and your now open to find it using a different method of research or questioning.

Graham Mcfee explains:

'One must understand what is being defined in order that on a judge for oneself the accuracy ... Moreover, the definition itself must be understood.'         (McFee, 1992:18)

By combining Reflection and experience we can build upon new ideas to find the missing link. New ideas, information and new techniques build upon the original ones to gain knowledge and information to perfect and complete an understanding. It's a bit like finding the missing piece of the jigsaw puzzle.

Experience, Reflection & Learning

The method of reflection is frequently used within most professions as we all have to learn new techniques, methods and procedures to carry out our work. More obvious examples are Teachers who on a daily basis have to convey and adapt different teaching methods to enable students to understand the information being taught.

Nurses, Health professionals such as Doctors have to understand a patient's ailment in order to treat them. they will constantly reflect upon a patient's symptoms in order to find the right treatment.

A considered philosopher, John Dewey believed that there were different levels of experiences, viewing experience as an experiential action. Dewey expressed the educational process as a 'continual reorganisation, reconstruction and transformation of experience.' (Dewey, 1916) John believed that you are able to become a better member of society and can interact within democracy if you have valuable and fully engaged experiences. The term 'Reflective Thought' was used by Dewey to identify a new experience, linking to previous experiences and finding meaning for ourselves.

'Active, persistent, and careful consideration of any belief or supposed form of knowledge in the light of the grounds that support it and the further conclusions to which it tends'                                         (Dewey, 1933)


I do agree with Dewey's previous statement, as the more we experience the more we will learn. By witnessing a range of different experiences involving different locations, people and situations our knowledge will expand, making it easier to communicate and socialise within day-to-day life. These experiences will build our character and strengthen our Independence. 

Likewise to John Dewey, Kurt Lewin, who originally studied in medicine also shared an interest within experiential learning. His method involved, dividing an experience into a set of steps:
  1. A cycle of idea
  2. Fact finding, planning (Research)
  3. Action
  4. Evaluation
  5. Planning
  6. Action
Kolbs Learning Cycle

Dewey and Lewin informed the work of Kolb, who developed the concept of a learning cycle.

Its essential that we identify the importance of acknowledging an experience, and the methods/tools enabling us to reflect upon it. Everybody's experience are different. As we learn new information at different stages of our lives it is existing knowledge that we all build upon. Concrete Experiences, Reflective Observations, Abstract Concepts and Active Experimentation are part of everyone's experiences:

Concrete Experiences - Doing something due to the experience

Reflective Observations - Learning something due to watching other people doing it

Abstract Conceptualisation - Some people may need to solve the question themselves

Active Experimentation - Learning as you trial a new idea

Your personal entrance into the Learning Cycle starts as soon as you find new information and meaning within an experience. Kolb's idea/concept is a major tool for reflection and approaching an experience.



My example of 'Kolbs Learning Cycle':




Multiple Intelligences, VAK
Howard Gardner originally created the concept of Multiple Intelligences as he was intrigued by the idea that people had different ways to engage with learning and understanding. Gardner believed that people are intelligent in a variety of ways, he groups like minded professionals together:

Spatial - Travel Agent, Architect, Tour Guide, Pilot, Graphic Designer, Surveyor

Verbal-linguistic -  Comedian, Historian, Journalist, Politician, Lawyer, Librarian 

Logical-mathematical - Accountant, Detective, Economist, Engineer, Scientist

Bodily-Kinaesthetic - Athlete, Actor, Dancer, Carpenter, Jeweller, Surgeon 

Musical - Singer, Songwriter, Sound Editor, Musician, Audiologist, Piano Tuner

Interpersonal (Understanding people and relationships) - Social Worker, Teacher, Psychologist, Cruise Director, Nurse

Intrapersonal (Relates to your emotional life as a means to understand yourself and others)  - Consultant, Philosopher, Entrepreneur, Psychic, Writer 

Naturalistic - Biologist, Farmer, Gardener, Astronomer, Meteorologist
This theory familiarises us with a multiple of ways to turn experiences into learning and is key whilst reflecting upon your own engagement during your experience and learning. During the BAPP Course its essential that we use reflection throughout every module.

Visual, Auditory & Kinaesthetic learners

Gardner also discussed a multiple of ways to look at situations. Multiple Intelligence is for us to understand how we and learn, not to categories you as a 'one-type learner'.

Multiple Intelligences / Artistic Vision
Alan Munford and Peter Honey (Inspired by Kolb's Theories) designed a model of an adaptation of David Kolb's four points of 'The Learning Cycle'. These staged were:

  1. Having an experience 
  2. Reviewing the experience 
  3. Concluding the experience
  4. Planning the next steps
All of the Professional Practitioners included in my blog emphasise the importance of the 'inner process' and that it can engage with an experience, thus creating a reflection. Kolb, Dewey, Lewin, Gardner, Honey and Munford also highlight the fact that everyone has a different process of engaging throughout an experience, therefore you will go through a personal journey and find your own, individual way of thinking. Identifying your own reflective practice is a key factor for this course and for us a Professional Practitioner. In doing this we can find our own Artistic Vision (Professional Direction).

The Professional Practitioner 
The idea that you can reflect during and looking back on an experience was created by Donald Schon (1987). For example, as a dancer, if you are performing a combination and find that you run out of space, you would automatically adapt to the situation by changing the step or travel pattern. Schon called this particular method, Reflection-In-Action. Another theory entitled, Reflection-On-Action is fostered within Academics who react to what is happening by going away, looking back at the experience to form a concept or an idea.

Writer and Academic, Robert Kottcamp refers Reflection-In-Action to 'online' and Reflection-On-Action to 'offline'. Kottcamp suggests:

'The latter type is more difficult to achieve, but the more powerful for improvement of practice because it results in online experiments to adjust and improve ones professional actions. It is more difficult to achieve because the actor must simultaneously attend to performing the action and observe and analyse his or her action, as if from an external perspective. Further, in reflection in action the actor is the sole collector of data on the event.

Reflection-On-Action is accomplished offline at a time when full attention can be given to analysis and planning for the future without the imperative for immediate action . . .'                                 (Kottcamp, 1990)

I believe that Kottcamp's method is incredibly important for this course and contributes greatly towards your profession due to how you reflect upon experiences. Therefore I do agree with Robert Kottcamp's view, that Reflection-In-Action is a harder process.

I come from a strong performance background and am comfortable reflecting 'in the moment'. It has taken me many years of practice to be confident in this method. Past experiences, performances have taught me to be a 'quick thinker'. I can adapt to my surroundings, the musicality and choreography enabling me to project a good performance. 

Even though I do use Reflection-In-Action during my day-to-day experiences, I also use Reflection-On-Action. An example of this is after a performance where I have had to adapt a dance routine to suit a specific stage plan or auditorium layout. Upon reflection I have learnt to always rehearse on the stage before the performance. This allows me to plan my routine to fit the stage (size and layout). In the long term this experience will help me as every stage is a different size and depth. I agree that 'the actor is the sole collector of data on the event' as we take responsibility and authority of our work and that there is a big difference to learning physically and learning conceptually.

Muscle Memory, interplay of conscious and unconscious

Likewise to many of the practitioners within my blog Chris Crickmay and Miranda Tufnell explained the importance of engaging throughout reflection:

'The body is the ground from which all our knowing of the world begins. It is within our bodies, in our instinctual and sensory responses, that we discover the changing field of what is happening to us. In the rush and pressure f our everyday lives we easily become numbed, cut off from our bodies.'             (Tufnell and Crickmay, 2004) 

I was fascinated by Tufnul and Crickmay's explanation as they have both thoroughly put into perspective that 'it is through the sensuous world of the body, through our eyes, ears, skin, muscles, and organs.'


The aspects of articulation and communication play a huge part in the reflective process enabling you to recall, process and link ideas. A reflection does not have to happen as a written process.

There is a combination of ways to documentate your reflection. Example include: 

  • Notebook
  • Journal
  • Drawings
  • Poems
  • Writing
  • Sketches
  • Mind Maps
  • Lists
Reflective Practice, Journal Writing
Journal Writing

As an increasingly common method for professionals to continue to learn after education/training Journal writing is an excellent way to further your knowledge and reflect on your learning. 

Jenifer A. Moon has written about learning journals:


'Learning journals come in all shapes and sizes.  They are for public and private reading.  They include versions on paper, tape, video, graphic ‘notebooks’, and electronic forms where something that is in effect a journal might be called a blog.  While the focus of this paper will be on pen-on-paper journals (but equally applies to all other forms), it is interesting to speculate on how the use of different media might influence the process of writing and the learning that results.'                                         (Moon and Dawson, 2006)

There are many purposes for using a journal:

  • To record experience
  • To facilitate learning from experience
  • To support understanding and the representation of the understanding
  • To develop critical thinking or the development of a questioning attitude
  • To increase active involvement in and ownership of learning
  • To increase ability in reflection and thinking
  • To enhance problem solving skills
  • As a means of assessment in formal education
  • To enhance reflective practice
  • To support personal development and self empowerment
  • As means of supporting behaviour change
  • To enhance creativity
  • To improve writing
  • To support planning and progress in research or a project
Journal writing is also heavily involved with Unit 2 of the BAPP Course to articulate our reflective process.

David Boud / Overview

Reflecting on Ethical Practice

David Boud expresses within the Chapter, the distinct link between Reflection and Ethical Practice and integrating them both into 'Value-based Knowledge'. Fox Martin and Green expresses this in 'Doing Practitioner Research':

'What the practitioner research decides to do in a given situation will be determined by what he or she believes to be the 'right' thing to do. For example, when confronted with a swamp an engineer might examine how the swamp could be drained, while the ecologist might examine how it might be preserved - neither can be said to be wrong. Professional practice is underpinned by judgements that professionals make based upon value-based knowledge'
(2007, p. 36)

I have gained allot of new information from Martin and Green, as I have never linked my own opinion within Ethical Practice in that much detail or from different perspectives. By explaining that 'Professional Practice is underpinned by judgements that professionals make based upon value-based knowledge', has changed my perspective of Professional Practice and has inspired me to explore my own view and opinion with regards to Ethical Practice as a part of Value -based Learning. This will hopefully give me a more in depth understanding of the Performing Arts industry.


Keeping a Journal: A Critical Reflection

'We write journals for many different reasons prompted by many different purposes. We may want to capture an experience, record an event, explore our feelings or make sense of what we know. We may want to narrate something of importance so that others can see what we saw in it. Sometimes we write primarily for ourselves, sometimes for other people. Journal writing is as varied as those who engage in it'
(Using journals writing to enhance professional practice, David Boud)

This paragraph is the opening of Boud's Article and is very detailed and resourceful. 

Upon reflection this insert has reminded me that as a child I kept a diary/journal. Every evening I would sit down before bedtime and write about my day, whether it be action packed or just a normal day. I can recall being excited to write in my book when something exciting had happened (usually dance related).

I have searched my room and found my old notations/diary. There are so many memories and experiences that I had forgotten about. I am now looking forward to keeping a journal, and the prospect of reflecting upon it in years to come.

My thought on Reflection / Reflective Practice 2a

Upon reflection I wish I had kept a notation journal of all of the milestone events/experiences at college. During my 3 years professional training I can recall meeting some very important  actors, dancers and mentors. I have been taught by West End Professionals, who have passed on their techniques and knowledge.

I can recall bumping into Sheridan Smith in the 'ladies' as I was singing a song from Legally Blonde!

I have danced with the Strictly Come Dancing Stars, met Bruce Forsyth and even in front of West End Directors. These are all memories that I can remember vividly now but in years to come may get forgotten.

If I had kept a journal then my experiences and memories would have been a concrete tool for reflection.

I can now see how Module 1 of this course links with Module 2. Blogs, photos, journals and social media sites are all tools for reflection and gaining knowledge and information.















Monday, 2 November 2015

Module 1: Task 1D, Images

Looking at my Facebook images brings back lots of memories and I feel very appreciative of the great friends and family that I have.  My dance pictures remind me of all of the different shows, competitions that I have performed in and all the friendships that have been made.

Family pictures generally remind me of events that have taken place over the years be it a birthdays, holidays or special occasions. I feel sad when I see pictures of my late granddad, but this is an important reminder of how precious our relationship was and how much I miss him.

Some pictures have a hidden meaning, like one of my graduation photos showing me standing on the stage. I am wearing a pendent which has some of my late granddad’s ashes fired in the sapphire. This was my way of graduating with him being there.

My Images

I have uploaded dance pictures which hold very special memories for me:

-Fosse: This showpiece incorporated the original choreography, taught by Mr Hack who himself performed with Bob Fosse

-Various Move It Performances where I represented The Urdang Academy. These performances showcase the Academy to thousands of people, promoting the training that they offer. This potentially recruits students to register and apply for an audition.  See YouTube link -

-Various pictures of my third year musical ‘Lend Me A Tenor ‘. This was such a great cast we had such a blast performing this show. I played the role of ‘Diana’ the eccentric ‘Lady Of The Opera’ this show provoked allot of Agent interest which lead to me signing to Global Artists.

-Last set of pictures reflects an amazing summer performing at Regents Park Open Air Theatre. It was an honour to perform in this magical setting. One activity I can tick off my ‘Bucket List’.

The last picture is of my graduation, after reading my opening paragraph you will know about it’s hidden meaning! Xx

LINK TO PICTURES:


How we use Audio and visual images in today’s social media

Media today has developed from that of the television, newspaper and radio, the Internet is an ‘information highway’ from referencing information to posting experiences to share with others, it is a huge part of our lives.

I believe that the use of audio and visual images is so important in today’s society. All pictures and videos convey an emotion, be it happy or sad they are taken to capture moments /memories that can’t be replaced .They should be looked upon as fragments of history!

I do believe that using the Internet and posting on social media sites is a quick and effective way to communicate with people and find out information.
I have briefly listed the positive and negative effects that this can have in today’s society.

Importance of use of audio & visual images:

  • Accessed by any device Worldwide via laptop, phone, tablet or computer
  • Allows the user quick access to post information or to view others
  • Great tool to use for Research and Education
  • Enables a person to keep in touch with friends and family
  • Creates networks, to broaden friends/associates
  • To use as a platform to promote or advertise

Importance of use of Audio & Visual images today:


  • Posts can show negative/offensive material that can be viewed by anyone (no age limit)
  • Can be used to promote terrorism or inappropriate news
  • Can create false profiles on Platforms such as Facebook and Twitter
  • Can be venerable to 'hackers', causing sensitive and personal information to be used in a fraudulent way

Everyone who posts a picture or visual image in my opinion should take ownership!
Since studying at the Urdang Academy I have been quite vigilant as to which pictures / images are posted onto my Face Book account. I have learnt that sometimes it’s not the picture that you have taken but that of another.By means of being ‘tagged‘ an unwanted or embarrassing image can sometimes appear. Checking my timeline regularly can combat this as I can delete unwanted posts.

I try to think about who can view my information?  Although there are privacy options that can be selected, I choose to let my information be viewed without restrictions. I am aware that Professionals such as teachers, directors and agents can view my profile .This is why I like to try and convey myself in a positive responsible way. First impressions count!


Module 1, Task 1C, YouTube Blog, Starting Out on the BAPP Course

Module 1: Task 1C, Youtube Blog, ‘Starting out on BAPP’

When reading about this task I wasn’t quite sure how to stage my video.
I am in my element performing, acting and singing but public talking makes me very nervous.

I looked at other students clips, some have created show reels with pictures, music and sub headings and others have conveyed really fluent interviews. I have decided to incorporate all of these in my own way.

This week I have been assisting and teaching at The Urdang Academy where I studied for my Diploma, I thought that I would feel more comfortable making my clip there.

I hope that my BAPP studies will help me academically, widen my knowledge of ways to learn and open up a pathway into teaching.

Below is the link to my YouTube Blog:

Module 1: Task 1B, Professional Communication Technologies, Reflection on Web 2.0

I have recently read the 'Reader 1' Hand Book, it's taken me just under a week to make notes, to analyse and gain a better understanding of the purpose and challenges of Web 2.0. Hopefully this blog will give you a wide range of views and opinions regarding Web 2.0, and more details and information you can reference throughout the module!
Web 2.0 is a 2nd generation of web-based communities. Web 1.0 created 'one way' online communications such as:
  • Television
  • Newspapers
  • Standard Websites
However Web 2.0 provides the opportunity for the reader to interact through social networking, potentially become the creator as well as the user. Before reading 'Reader 1' I've used social media sites regularly (Facebook, Twitter, Instagram, Google, YouTube) however I was unaware that they were created by Web 2.0. 

Exploring the web at the age of 11/13 was incredibly different in comparison to 2015! From the programs, layout/design and even the build of computer I believe that even though the Internet was a basic foundation, throughout my early teens the web gradually generated into an advanced, improved creation.

One of the first articles I read (attached to Reader 1) was entitled:
'What is Web 2.0: Design Patterns and Business Models for The Next Generation of Software'
written by Tim O'Reilly in 2006. O'Reilly expresses that many people refer to Web 2.0 as 'a new conventional wisdom'.  I agree with this statement as I believe that Web 2.0's social interaction has had a huge impact on social media and awareness within the Performing Arts Industry. Even though there are published magazines such as The Stage (Web 1.0), many performers do find it easier to use Web 2.0 based sites to source information and details for auditions/castings.

'Others who say the web is over-hyped'
Even though many media users are extremely happy with this technical revolution, others disagreed and thought that the web is over populated and un-resourceful. Even though I do agree that allot of people use the web, I would not class it as 'over-hyped'. I think that every popular social media site has a specific objective whether it be posting certain opinions and advertisements. Yes the web is expanding and has more users however this is a key factor of all technological improvements and revelations.

Tim explains that Web 2.0 'doesn't have a boundary just a gravitational core'. Likewise to the previous quote I find O'Reilly's perspective very interesting as I also have the opinion that Web 2.0 is as useful and resourceful as the user makes it. By saying Web 2.0 has a 'gravitational core' I think this depicts that most members are aware of the risks and violations of privacy and confidentiality yet know how to be safe online.

The Meme Map created by Tim O'Reilly was developed at a brainstorm in 'FOO Camp' Conference at O'Reilly Media. This is a great example, displaying a variety of ideas and concepts that evolved from the 'Web 2.0 Core'. O'Reilly's brainstorm gives outside readers a visual insight into how important Web 2.0 is and the gradual development of the web-based community.

   

Within the Architectures of Participation section of Reader 1 I was intrigued by a statement from HAMILTON 2000, 'Participation is a function' 

The encouragement of participation within media has had a huge impact regarding people's ability to take part and interact creatively online! I definitely agree with this point as the principle of participation plays a vital part in the development and awareness of Web 2.0.

Remixable Data consists of materials that can be rearranged and re-used for a new purpose, which is an essential part of Web 2.0. Vattyson believes that the combination of the people who make media and the people who consume it, encourages viewers to engage and participate within media. Following HAMILTON's discussion on participation, readers not only observe the information on the web, but get involved by interacting and publishing there opinion.


'These interactive and participatory aspects of the new media objects further erode the distinction between artists and audiences, and offer a model which has been termed the rise of the prosumer, i.e. the consumer is also the producer"          (Vattyson 2000   /   Pg 205)


Brun was the creator of the concept 'Produsage', a collaboration of production and usage. The combination of consumption and production  is one of the major selling points of Web 2.0's role within any network or industry. Even though we are not physical guided to become both consumer and producer we naturally take that responsibility by reading materials to creating and sharing them online.


Discussing the topics of Collective Inteligence, Zuckerbug Grube expresses that reflecting the greater impact of the whole package rather than the different sectors is a vital step used to develop Web 2.0. For example Facebook, which has over 500 million users. The huge volume of members impacts dramatically on the success of sharing information and interaction. As well as a larger mass of users, Collective Intelligence is also successful due to:

  • Knowledge that shared
  • Interaction
  • Improving the users experience
'Connectivity is a basic human right'        (Zuckerbug  /  Shearlaw 2014)

I believe one of the hardest problems and risks to avoid or tackle is Ethical Consideration. When using 2.0 ethical discrimination can be displayed through discussions (blogs/chat rooms) and any participation within social media. Yes, you are more than welcome to voice your opinion however always have consideration to any reader that can view your information.

'Getting in trouble on Facebook' is an example of huge privacy and confidentiality violations. For instance teachers must be extremely strict with social media, and are probably the most vulnerable group in danger of violations and crossing boundaries. They must know the privacy restrictions differentiating their professional and personal lives. This example does show a slightly daring and risky side towards Web 2.0 as the only person stopping you from over stepping the rules are you!

Tuesday, 27 October 2015

Module 1: Task 1A, Professional Blog Profile/Introduction

Module 1: Task 1A Professional Profile
How to create a Professional Portfolio for Castings and Auditions

The information in this section gives examples of how a CV should be formatted in preparation for an Agent or potential employer (production company). My examples are very contrasting, prior to my final year of studies my CV looked like Example 1, the content was far too descriptive and gave information that is irrelevant upon graduation. Potential employers within this industry require a very little history about achievements before embarking upon professional training. A good format for a professional CV will include the following:
  • Name and description of the person, agent details / spotlight registration details contact numbers / email addresses
  • Profile; including character description (hair/eye colour, vocal range & nationality)
  • Training details, only give details of where you attained your professional qualification for example Diploma or Degree
  • Experience sub heading that shows your credits whilst in training and after graduation (Include where you performed, dates, venues and details of the production and Casting Team)
  • Skill Section which gives other information about hobbies, accents and dance styles.
Please see Example 2 which is my current CV, I have also included a template letter which may be used regarding representation and is sent to an Agent (Example 3)

Some jobs require a performer to invoice a company for work that they have completed. I have included a draft letter see Example 4



In addition to a CV I have my own portfolio which includes current head shots and full body shots. See Example 5.




Example 1   CV

Curriculum Vitae / Bethany Jane Emily Huckle
Address……………..
…………………………
Home Tel :
Email Address :
DOB

Personal Profile
I am a very confident and motivated young woman who can work independently and with others. For the past six years I have studied at the Nobel School in Stevenage where, I have completed all of my GCSE studies and extra curriculum studies which include passing my Bronze, Silver and Gold  Trinity Guild Arts Award and Trinity Singing Exams up to grade six. My attendance at school has always been outstanding and I have always participated in termly showcases and after school activities. I have shown true interest in helping others and helped younger students who participated in lunch time and after school dance and drama classes.
I am a very creative and practical person who can be relied upon to complete any task set. I currently study many dance styles which include tap, modern, jazz, ballet, I have achieved top grades in these disciplines and am currently completing the last graded exams this autumn.
During the past year I have been auditioning for a post sixteen place at a Performing Arts school, I have successfully been offered a scholarship place at each of the seven schools where I auditioned these include Laine Theatre Arts, Italia Conti, Bird College, Urdang Academy, Tring, Performers College & Body works. I am now studying my three year Diploma in Professional Dance and Musical Theatre.

Education
June 2011: Attained Grades GCSE: Dance A*, Drama A*, Science C
June 2012: Attained Grades GCSE: Maths C, English Language B, English Literature B, Science B, History B, Music A, Religious Studies A, IT – Distinction (B TECH)
Arts Award: Bronze, Silver and Gold (These awards have already awarded me UCAS points should I require them)

Independent Qualifications
Dance Grade Attained: Tap ISTD Advanced 1 (passed with a Distinction) , Ballet Inter RAD ,Modern ISTD Advanced 1 and Russian Ballet  Advanced. Trinity Guild Singing Exam Grade 6 (passed with a Distinction)

Outside interests
My spare time is taken up by training, performing and helping younger members at my local dance school. To date I have appeared on Got To Dance TV series, been awarded numerous awards and medals for solo, duet, trio and  group performances at local dance festivals  and  danced in the All England dance Finals in London. Last year I was a runner up in Hert's & Windsor's Got Talent shows where I was awarded prizes which included a photo shoot and professional work shop tuition. This April I took on the lead role when our dance company performed at Euro Disney, Move It 2013 and modelled Bloch dance wear.

Part time employment will help me to earn my own money and contribute to my studies in London, I am extremely reliable, polite and conscientious and would like to be considered for a position should one arise within your organisation. I am a very fashion conscious, organised and able to adapt to any task given to me. As a performer I am outgoing and able to interact with people, this is key quality to have within a working environment.

References 
……………..
……………..
……………..


Example 2 CV 



Example 3: Agent Letter

Dear 

Please find attached my current CV and head shots for your consideration. 

I graduated from The Urdang Academy in June 2015, attaining a Diploma In Musical Theatre and Dance. I have successfully been cast in the musical Seven Brides for Seven Brothers and will be performing at Regents Park Open Air Theatre this summer.
I would be very interested in meeting with you to discuss the possibility of being represented by your agency.
Please do not hesitate to contact me should you require any additional information.

I look forward to hearing from you

Kind Regards 

Bethany Huckle


Example 4: Invoice Template




Example 5: Portfolio Head Shots and Body Shots
















Monday, 26 October 2015

Module 1: Task 1A Professional Profile / Introductions Final Draft

Module 1: Task 1A Professional Blog Profile / Introduction
(Updated version)

About Me
I was introduced to dance from an early age. My weekly ballet, tap and jazz classes soon developed into a very hectic schedule. Most evenings and weekends were spent perfecting competition and exam entries. Flexibility did not come naturally to me, hours of stretching at home soon paid off and I became as supple as other students.
I am extremely fortunate to have parents who have supported and believed in my passion to perform. They funded my training at a reputable dance school where the teachers nurtured my ability to attain excellent ISTD grades in tap, modern and ballet. I competed at both Regional and National level in all disciplines. My Trinity singing exams were taken at my comprehensive school where I was lucky enough to be taught by a teacher who discovered my ‘legit’ vocal strengths. At age sixteen I auditioned at a number of highly acclaimed Performing Arts Colleges. My pathway into professional training commenced with a number of scholarships being offered to me. Three years of training began at The Urdang Academy in London.

Professional Training
The first year of professional training allowed me to perfect my techniques in all disciplines. I regularly volunteered to assist with Academy Open Days, demonstrating in classes and helping auditionees. I currently hold a DBS licence which allows me to escort students under the age of eighteen. Chaperoning has allowed me to develop my organisation skills and build a rapport with my tutors and fellow students. I enjoy teaching and passing on my techniques.
My second year studies were tailored towards becoming what is known as a ‘Triple Threat’ meaning that a performer shows strong techniques in singing, dancing and acting. This is a good trait to have when embarking upon a career within this industry as most auditions entail a dance and singing call. Being strong in both disciplines can make a performer more employable as they can be cast as ensemble, understudy or as a Lead. Training within my second year consisted of a number of master classes, mock auditions and representation by the Academy’s In-House Agency.
Third year was extremely intense, as well as preparing for showcases to promote Agent interest and representation, I created my CV and gallery of headshots to be submitted onto ‘Spotlight ‘which is a platform for directors and casting agents to view your profile. Whilst completing my final year of training, I joined the pantomime cast of ‘Jack and The Beanstalk’, this was my first professional job performing as an ensemble member and understudy to the Princess. Working within this production gave me a perfect insight into the long and unsociable hours that this industry entails.

Credits after Graduation  
In June 2015, I graduated from the Urdang Academy achieving a grade 6 Trinity approved Professional Diploma in Musical Theatre (DIP). For the duration of this summer, I joined the cast of ‘Seven Brides for Seven Brothers’ playing the role of Alice, the youngest bride. I performed at Regents Park Open Air Theatre in London; this was my first West End Debut. My next contract will commence in December, I will be joining the cast of Cinderella, performing at the Theatre Royal in Plymouth.

Representation
I am currently represented by Global Artist Management; they are responsible for arranging my castings, future work and overseeing my contracts.

Why continue with my studies after attaining my Diploma ?
Embarking upon a career in this Industry is not an easy one and extremely unpredictable. I would like to continue with my studies converting my Professional Diploma into a Degree, this will then give me the option to further my career and become a teacher. This course is a perfect way for me to study around my auditions, rehearsals and work. I am looking forward to developing my writing and communication skills as a Professional Practitioner.

How diverse does a Professional Practitioner have to be?
A career within the Performing Arts Industry is extremely difficult and requires a performer to be versatile, maybe working outside of the industry to maintain an income.
Naively, I don't think that all contracts would be allocated on a self-employed basis with the rate of pay varying from job to job. This means that your income is not consistent and that it is very tricky to commit to living costs which may include rental agreements, loan repayments or any other financial outgoings. A performer has to register as a 'business' with HMRC and complete tax return each year. This comes with the added responsibility of recording your earnings, receipts, travel expenses and saving a proportion of your income to pay deductions such as tax and national insurance.
In addition to self-employed work a performer has to diversify and be able to find an alternative income whilst auditioning and waiting for the next job offer. It is unrealistic to think that one contract will follow another.
I have found it extremely helpful to join a reputable recruitment agency in London which is allowing me to work on a weekly, daily basis. Although not within the Performance Industry, the agency is 'high end' and provides work within London department stores and contract work for special events such as London Fashion Week and Designer exhibitions.
Working with this agency allows me to earn money as and when I need to subsidize my income.The disadvantages of this type of work is that the agency requires you to work as both employed and self-employed , so you have to be careful  about which earnings need to be declared at the end of the financial year. Pay is sometimes staggered and most agencies pay every four to six weeks which means that money for travel has to be paid by dipping into of my savings.


Module 1: Task 1A Professional Profile Reflection of Draft 1

My first draft to produce a blog about myself was not something that I have done before. Yes, I have a  professional CV which reflects all of my achievements but this is very brief and gives an overview with regards to my credits whilst in training and prior to graduating. Upon reflection, my first draft lacks detail of my professional studies and reasons for me wishing to attain a degree. My new blog will show more information about my training and experiences which I hope will relate to my readers. I have tried to share my thoughts and give a personal insight as to how a newly qualified professional practitioner can prepare themselves for work.  Having only graduated in June 2015, it is difficult to maintain my training regime whilst working and auditioning for new castings . I aim for my next blog to enable readers to think about how challenging it is to succeed within the world of entertainment. As a professional practitioner I am embarking upon a very unpredictable future with no guarantees of work or a fixed income.